《诱饵》2022高清下载 在线播放

康沃尔渔村的光景明信片田园诗误导了人们。诚然过来垂纶是一种养家糊口的方法，但往常富有的伦敦旅客纷繁下山，接替了本地人，本地人的生涯因而遭到威逼。史蒂文和马丁兄弟的关连也很缓和。马丁是一个没有船的渔夫，由于史蒂文开端用它来为一整天的旅客供应更获利的观光。他们卖掉了这座家庭别墅，而今看来，着末一场战争是和新客人在海边的停车位上发展。但是，事件很快就失控了，而不单单是由于车轮夹钳。 Bait是一种彩色，手工建筑，16毫米胶片建筑的片子。很多对于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的事实。对差异社会阶层的描画——可以或许说是阶层关连——也让人想起了英国片子中的社会现实主义传统。但是，最重要的是，在影像中差异品位的片子汗青参考文献之下，尔后很多政治关系正在等候被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They‘ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.第73届英国片子学院奖片子奖 最佳英国影片(提名) 第22届英国自力片子奖最佳英国自力片子(提名) 第40届伦敦影评人协会奖年度英国/爱尔兰片子(提名)